My work has grown slowly over time, through paying attention.

I was originally trained as a physiotherapist, where I developed a deep respect for the body, for patience and for small, meaningful change. Over time, this way of seeing moved into my creative practice.

I now paint and write as a way of listening to the landscape, to weather and to the subtle shifts within experience.

The practice is often quiet, layered and not fully resolved. It is less about answers and more about noticing.

This approach sits within what I think of as Listening Fields, a way of working that stays close to the body, to nature and to what is unfolding.

Earlier in my practice, I created a series of independently designed card decks exploring nature, symbolism and reflection. They continue to inform what I make now, but are no longer at the centre.

I am interested in creating work that offers a sense of space, something steady, open and quietly companioning.

We are not separate from the natural world.

When we slow down and pay attention, something begins to soften.
A sense of connection, gently returning.

From here, it continues.